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For two days, the quicksilver singer/songwriter/guitarist/producer Lindsey Buckingham and I sat in a small windowless room serving as his confessional, his therapeutic safe space, and we did not leave until Lindsey told me his truth about playing the role of Vincent in the real-life Van Gogh soap opera that has been his life and musical career for nearly fifty years.
“Third Stage” Boston comeback album released in September 1986 put up spectacular numbers in popularity, with three Top 20 hits on Billboard including “Cant’cha Say”,”We’re Ready”, and the #1 “Amanda”, all helping to blast the album to #1 sales. Boston bandleader Tom Scholz, my guest, also brought free-agency to the music business.
So when their sophomore effort “Get Lucky” came out in Fall 1981, these Canadian rockers Loverboy were the right band at the right time. North American rock radio was waiting in anticipation for”Working for the Weekend”, along with “When It’s Over”, “Jump” co-written by fellow countryman Bryan Adams, “Gangs in the Street”, and “Take Me to the Top”. Lead singer Mike Reno and guitarist Paul Dean recall how nice guys don’t finish last in this In The Studio classic rock interview.
Ten years prior to the release of “No More Tears” in September 1991, Ozzy Osbourne couldn’t get arrested outside England. Particularly in America, the former singer for heavy metal godfathers Black Sabbath was perceived by US record label execs as damaged goods…Then for the whole of the Eighties, Ozzy was constantly in the press, but rarely was it for his music. Ozzy admits here In the Studio that “No More Tears” was the first album he ever recorded sober, and the results were spectacular.
August 26, 1991 I had the great honor and pleasure of co-hosting the world premiere radio broadcast with Bob Seger of “The Fire Inside”. His fourteenth (!) studio album, it came a long five years after Seger and the Silver Bullet Band’s “Like a Rock”, the Detroit rocker’s fifth multi-million seller in a row.
In the Summer of 1975, a year before releasing what quickly became the biggest selling debut album in music history, the band Boston did not even exist . A year later Tom Scholz’s seven year basement tapes would emerge out of nowhere to re-write the record books on popularity and profits …(more) Tom Scholz is my guest for Boston’s debut.
The Rock and Roll Hall of Fame honored posthumously guitarist Randy Rhoads during 2021 annual induction ceremony ….My guest Ozzy Osbourne pays tribute In the Studio in this classic rock interview.
“Who’s Next” by The Who, ranked by Rolling Stone magazine as the #28 rock album of all time, this August 1971 absolute musical masterpiece is mated with an incredibly illuminating classic rock interview with its composer, Pete Townshend, here In the Studio including the songs “Baba O’Riley”,”Bargain”,”Going Mobile”,”Behind Blue Eyes”,”Getting in Tune”, and “Won’t Get Fooled Again”…
In July 1981, Stevie Nicks already was in arguably America’s most popular band, Fleetwood Mac, but her first solo album then, “Bella Donna”, took her career to another level entirely, a fact that was by no means guaranteed and which came at some cost. Stevie spells it all out quite candidly In the Studio while revealing the stories and characters behind “Edge of Seventeen”, “Leather and Lace” with Don Henley, and the timeless duet with Tom Petty on his “Stop Draggin’ My Heart Around”.
Al Stewart joins me In the Studio in a rare interview on the 45th anniversary of his breakout 1976 album “Year of the Cat”. Stewart might seem to be name-dropping big time, except it’s all true: sneaking backstage during a 1963 Beatles concert and talking with John Lennon; rooming in London next to Paul Simon; befriended by an unknown Cat Stevens; mc’ing at a London nightclub when another unknown, an American named Jimi Hendrix, decided to play his guitar with his teeth. But being witness repeatedly to rock history apparently accounted for nothing when Al Stewart’s seventh album, “Year of the Cat”, was unceremoniously turned down by every major UK record label.