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Eras in music no more follow the calendar than Mother Nature does. Thus fifty years ago in mid-March 1971 the last live performance of the Sixties in effect may actually gone down when the Rolling Stones ended their brief Scottish/ English tour at London’s Roundhouse with this final performance of “Honky Tonk Women”.
“2112” by Rush was an amalgam of hard rock, progressive rock, science-fiction and Ayn Rand socio-economics right about the same time that The Ramones, The Dead Boys, and Ian Dury and the Blockheads were singing “Sex and Drugs and Rock’n’Roll”. So things were about to get interesting in 1976. Geddy Lee and Alex Lifeson of Rush join me here In the Studio
“Guitar Town ” Steve Earle shares here In the Studio for his #1-charting Country debut in March 1986: “I’m a straggler from what was going on in Austin and Nashville in the mid-70s. I had good teachers, Guy Clark, Townes Van Zandt, Jerry Jeff Walker, B.W. Stevenson…when I first got to Nashville on any given night, you could go to Guy’s house. And he’d have everybody, from the street level where I was to Mickey Newbury and Neil Young, with the guitar going around. So it was a good place to learn. Then, basically cocaine sort of created a caste system and killed that real fast!”
For the 35th anniversary, the late Eddie Van Halen’s interview In the Studio is included with Sammy Hagar, brother Alex Van Halen, & Michael Anthony for the story of “5150”.
The fact that the Doobie Brothers reinvented themselves for their March 1976 album “Takin’ It to the Streets” is quite widely known, but the reasons for the musical shift, and the manner in which they made it work so successfully, is a fascinating back-story worthy of an HBO mini-series.. On the album’s 45th anniversary, Tom Johnston, Pat Simmons, & Michael McDonald are all here In the Studio to recall how it really went down.
Of his cinderella first solo album “Face Value” forty years ago, Phil Collins recalls the real-life betrayal and heartbreak which inspired “In the Air Tonight”, “I Missed Again”; and why he did not include another original, “How Can You Sit There?”, on Face Value nor it’s follow up, Hello I Must Be Going, but opted instead to give it to the soundtrack of the 1984 movie Against All Odds, going on to become Phil Collins’ first #1 hit.
“The YES Album”, a progressive rock touchstone. If the British Invasion bands led by The Beatles and Rolling Stones wanted to be rock’n’roll’s second verse after “Be Bop a Lula” and “Maybe Baby”, then London’s King Crimson, Emerson Lake and Palmer, and YES were determined to be rock’s “C” section, the musical bridge which takes the listener somewhere unexpectedly before returning to the familiar refrain.
“In the Studio” with Ann & Nancy Wilson of Heart for the real rock fairy tale of “Dreamboat Annie”.
Their much-improved second album,”Rio Grande Mud” in 1972, with Billy Gibbons, Frank Beard, and the late Dusty Hill who passed away in July 2021 following hip surgery.
Neil Young with Crazy Horse-San Francisco 1986, to mark the fiftieth anniversary of the original release on “After the Goldrush” in Fall 1970.