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228 search results for: Ten Years After

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228 search results for: Ten Years After

161

Aerosmith- Permanent Vacation- Steven Tyler, Joe Perry, Tom Hamilton

Steven Tyler, Joe Perry, and Tom Hamilton join me In the Studio in this classic rock interview for the back story on “Permanent Vacation” & “Magic Touch”,”Dude Looks Like a Lady”,”Rag Doll”, and the #3 power ballad “Angel” which erased all doubts…to the tune of over 5,000,000 sold beginning in August 1987…

162

Def Leppard- Hysteria- Joe Elliott, Ric Savage

Def Leppard lifers Joe Elliott and Ric Savage join Redbeard In the Studio for the mega-hit “Hysteria”.

163

Styx- Grand Illusion- Tommy Shaw, James “JY” Young, Dennis DeYoung, Lawrence Gowan

Styx co-founder Dennis DeYoung, lifer James “JY” Young, and then recently recruited Alabama boy Tommy Shaw all join me here with current Styx keyboardist/vocalist Lawrence Gowan In the Studio for the early days of being the perennial opening act, saddled with the curse “big in the Flyover States”, all the while writing and recording “Fooling Yourself”,”Come Sail Away”,”Miss America”, “Man in the Wilderness”, and “Grand Illusion”.

164

Peter Gabriel- San Jacinto- London 03-2011

This breathtaking recording of “San Jacinto” from the limited edition Peter Gabriel package Live Blood was performed live in London March 2011 with the New Blood Orchestra conducted by Ben Foster.

165

Doobie Brothers- Toulouse Street- Tom Johnston, Pat Simmons, John Hartman

After a totally forgettable first album, the Doobie Brothers’ sophomore effort “Toulouse Street” may just be the strongest second act of the Seventies. In the Studio Tom Johnston, Pat Simmons, & John Hartman joined me forf “Listen to the Music”,”Rockin’ Down the Highway”,”Disciple”, and the definitive cover of “Jesus is Just All Right”.

166

Emerson, Lake, and Palmer- Trilogy- Carl Palmer, the late Keith Emerson & Greg Lake

“Trilogy”, Emerson, Lake, and Palmer’s third studio album and fourth overall in barely two years,  was released in July 1972, a high watermark peak for Progressive Rock’s quality as well as massive popularity ( #2 UK, #5 Billboard in the US )…Trilogy has remained a favorite over these many changes in rock music as the place where Keith Emerson, Greg Lake, and Carl Palmer’s ambitions to expand the palette of rock music were perfectly balanced by terrific songwriting and production on “The Endless Enigma”, “From the Beginning”, a terrific concert showstopper cover version of Aaron Copland’s “Hoedown” from the stage musical Oklahoma!, and the title song opus. Carl Palmer hosts with archival interviews from both the late Keith Emerson and Greg Lake.

167

Sammy Hagar- I Never Said Goodbye

After years of struggle as the undercard rock palooka who could take a punch and never go down, in 1984 Sammy Hagar answered the bell  and came out swinging, scoring a technical knockout with his mainstream hit “I Can’t Drive 55” from his eighth solo album “VOA”. Then in 1987 Sammy won by a knockout with his solo album “I Never Said Goodbye”, at #14 his highest charting album ever, and that while being newly installed as Van Halen’s lead singer. Sammy Hagar is my guest In the Studio.

168

Sammy Hagar- I Can’t Drive 55- Dallas 12-4-91 (w/Van Halen)

“It took me sixteen hours to get to Dallas Texas today!”, sings Sammy Hagar to the huge crowd near the end of this legendary free concert in the blocked off streets of downtown Dallas Texas that sunny December afternoon during the performance with Van Halen of his anthem, “I Can’t Drive 55”.

169

Alan Parsons Project- I, Robot

Rare classic rock interview with the namesake British recording engineer/producer of the Alan Parsons Project, whose 1977 second album in collaboration with composer the late Eric Woolfson was once  again based on a famous literary work, this time the Isaac Asimov science fiction classic “I, Robot”.

170

Black Crowes- Southern Harmony…- Chris Robinson, Rich Robinson

Preparing this interview with Black Crowes co-founders singer Chris Robinson and his younger guitar-playing brother Rich Robinson to mark their second release, “The Southern Harmony and Musical Companion”, the deja vu was uncanny and not a little bit unsettling. Constantly I had to remind myself that the trends these Atlanta natives were seeing in the mid-1990s, and the predictions they made then, sound eerily like today’s headlines. Peering now into their spyglass in reverse, it is both remarkable in its accuracy but, I must admit, troubling in its sense of creeping inevitability.

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