Bryan Adams- Cuts Like a Knife
Bryan Adams interview to explore his breakthrough album “Cuts Like a Knife” from January 1983
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Bryan Adams interview to explore his breakthrough album “Cuts Like a Knife” from January 1983
Justin Hayward & John Lodge are In the Studio for their international #1-seller, “Seventh Sojourn”.
Night Ranger’s Jack Blades goes out on “Dawn Patrol” forty years later to report back on the first American band to break big simultaneously on radio & MTV with “Don’t Tell Me You Love Me”,”You Can Still Rock in America”, & the mid-’80s phenomenon “Sister Christian” here In the Studio.
Was “Who Came First” a question or a declarative statement in October 1972? Pete Townshend joins me In the Studio for the answer on the golden anniversary of his first of many great solo albums, which we feature here.
It was their third album,”Shabooh Shoobah”, where INXS finally made the leap to America and the UK late in 1982 with “The One Thing”and “Don’t Change”. For the story of INXS’ formative years, the band’s keyboard player/ songwriter Andrew Farriss, guitar-playing brother Tim Farriss, and guitar/sax man Kirk Pengilly, tell of the tough and tender early days forming in the most remote city in the world, Perth Australia; surviving the one-nighters there, in Sydney and in Melbourne; allying with a talented singer from Hong Kong-via-Hollywood, the mercurial snake-hipped Michael Hutchence;
With Belfast-born Van Morrison’s July 1972 sixth album “Saint Dominic’s Preview”, the mainstream rock audience finally caught up to the quality jazzy, folksy rhythm’n’blues Morrison had been belting out consistently since critics began lauding his debut,”Astral Weeks”. This rare 21st century classic rock interview was conducted in Belfast by the BBC’s intrepid John Bennett.
In an alternate universe where being boring and predictable is the Original Sin, Vince Neil, Mick Mars, Nikki Sixx, and Tommy Lee of Motley Crue would be sanctified saints, because they have been waging jihad against the tyranny of the mainstream for a full four decades. Peaking at #2 on Billboard Album Sales chart, “Girls, Girls, Girls” would eventually equal their preceding mega-seller “Theatre of Pain” with another four million copies sold. The always eyebrow-raising Nikki Sixx and hilarious Vince Neil are my guests In the Studio for “Girls, Girls, Girls”..
When it came exploding out of the dashboard radio in May 1972, “School’s Out” by Alice Cooper was louder, brasher, with more swagger than anything we’d ever heard on the Top 40. But with the Woodstock Generation inheriting a world of endless Viet Nam War escalation, Richard Nixon landslide re-election, while astronauts golfed on the moon, “School’s Out” ominously was a sobering reality check for millions as well. Alice Cooper is my guest In the Studio on the golden anniversary.
When artist manager-turned-media mogul David Geffen started his first Los Angeles-based record label Asylum Records, his first signing was Jackson Browne and his third deal was with the Eagles. Who was Geffen’s second signing? Hometown heroes Jo Jo Gunne. marking the golden anniversary of that first ( and in songwriting, their best ) 1972 album Jo Jo Gunne, singer/songwrite/pianist Jay Ferguson reveals all kinds of influences when he told me, “If Sly and the Family Stone and Little Feat had a love child, it would have been Jo Jo Gunne!” Here In the Studio Jay tells the innocent tale of “Run Run Run”,”Shake That Fat”,”Babylon”,” 99 Days”,”Barstow Blue Eyes”, and”Take It Easy”.
Asia was the 1980s’ first “supergroup”, including Emerson Lake and Palmer drummer Carl Palmer, former King Crimson/ Roxy Music / UK singer/ bass player the late John Wetton, Buggles vid-kid Geoff Downes on keyboards, and YES guitarist Steve Howe. Their March 1982 debut hit #1 in America on both the album sales chart and the singles for “Heat of the Moment”. Asia debut #1 album of 1982 here In the Studio with Carl Palmer,Geoff Downes, the late John Wetton.